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In her young, flourishing career, Ana de Armas has already made three films with Chris Evans. Following “Knives Out” and “The Gray Man" — both of which positioned them as foes, either in family squabbles or assassin melees — they're more closely aligned in “Ghosted.” In the Apple TV+ release, premiering Friday, “Rocketman” director Dexter Fletcher pairs them in a film that fuses rom-com with action thriller. After a promising first date between Cole (Evans) and Sadie (de Armas), Cole pursues the unreachable Sadie and becomes ensnarled in an international spy adventure

New this week: 'Judy Blume,' Rodrigo y Gabriela, Minecraft

This week’s new entertainment releases include albums from The Heavy and Rodrigo y Gabriela, a new Judy Blume bio-documentary and video games set in the Minecraft and Dead Island universes

By The Associated Press
Published - Apr 17, 2023, 10:45 AM ET
Last Updated - Aug 08, 2024, 03:43 AM EDT

Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music and video game platforms this week. 

NEW MOVIES TO STREAM 

— In her young, flourishing career, Ana de Armas has already made three films with Chris Evans. Following “Knives Out” and “The Gray Man" — both of which positioned them as foes, either in family squabbles or assassin melees — they're more closely aligned in “Ghosted.” In the Apple TV+ release, premiering Friday, “Rocketman” director Dexter Fletcher pairs them in a film that fuses rom-com with action thriller. After a promising first date between Cole (Evans) and Sadie (de Armas), Cole pursues the unreachable Sadie and becomes ensnarled in an international spy adventure. 

One of 2022's best films arrives Tuesday on the Criterion Channel. For years, Iranian director Jafar Panahi has been finding intrepid ways to make films that cleverly reflect Iranian society despite government control. In “No Bears," Panahi — who has made acclaimed movies from within his apartment or the confines of a car — again plays a fictionalized version of himself, this time while he endeavors to remotely direct a film. When his collaborators' unwittingly capture a moment some locals don't want documented, scrutiny and pressure falls on Panahi. When “No Bears” opened in theaters, Panahi was in prison in Tehran. After declaring a hunger strike, he was freed on bail in February.  

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