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Italy Piero Della Francesca Exhibition
A visitor looks the Italian artist Piero della Francesca's paintings on the occasion of the inauguration of the exhibit "Piero della Francesca. Il Polittico Agostiniano riunito" (Piero della Francesca. The Augustinian Polyptych reunited) at Milan's Poldi Pezzoli museum, Italy, Tuesday, March 19, 2024. The Augustinian altarpiece originally comprised 30 sections in a polyptych, was dismantled after the Augustinians moved churches and eventually sold off. Only eight of the sections remain as individual paintings owned by museums in New York, Washington, D.C., London, Milan and Lisbon, Portugal. (AP Photo/Antonio Calanni)

Milan exhibit sheds new light on Renaissance altarpiece, reuniting far-flung panels after centuries

An unprecedented exhibition opening Wednesday at the Poldi Pezzoli Museum in Milan reunites for the first time in over 450 years eight surviving panels of the Augustinian Altarpiece by the early Italian Renaissance master Piero della Francesca, while possibly solving one of its enduring mysteries

By COLLEEN BARRY
Published - Mar 19, 2024, 03:31 PM ET
Last Updated - Mar 19, 2024, 03:31 PM EDT

MILAN (AP) — An unprecedented exhibition opening Wednesday at the Poldi Pezzoli Museum in Milan reunites for the first time in over 450 years eight surviving panels of the Augustinian Altarpiece by the early Italian Renaissance master Piero della Francesca, while possibly solving one of its enduring mysteries.

Museums have tried and failed in the past to assemble the remaining eight panels, spread among five museums in Europe and the United States, of the original 30-piece polyptych. They include the Poldi Pezzoli, owner of one panel, in 1996 and the Hermitage in St. Petersburg, Russia in 2018.

The Frick Collection in New York, owner of four of the panels, came closest a decade ago, gathering six.

Poldi Pezzoli Museum director Alessandra Quarto succeeded this time, after learning that the owner of four of the pieces, the Frick Collection in New York, would be closed for six months. The Frick Collection agreed to the loan, making it easier to bring on board museums in London, Washington, D.C. and Lisbon.

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